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Title page for ETD etd-11172003-180442


Type of Document Treatise
Author Jackson, Margaret R.
Author's Email Address jackso_m@otto.cmr.fsu.edu
URN etd-11172003-180442
Title Workers, Unite! The Political Songs of Hanns Eisler, 1926-1932
Degree Doctor of Musical Arts
Department Music, School of
Advisory Committee
Advisor Name Title
Jerrold Pope Committee Chair
Keywords
  • Weimar Music
  • Agitpropaganda
  • Eisler
Date of Defense 2003-11-10
Availability unrestricted
Abstract
One of the most prolific German composers of the 20th.

century, Hanns Eisler was a communist who sought to blend politics, advanced musical

techniques, and folk elements into compositions that would five a powerful

voice to Europe's working classes. To that end he left behind an extensive body of songs,

chamber works, film scores, and theoretical writings that stand as critiques of and alternatives

to popular society.

While Eisler has received much musicological attention in his native Germany,

he has received less notice from scholars in the United States. This treatise provides English-speaking

singers and music historians with an introduction to Eisler's Kampflieder, or fighting songs, from the pre-World War

II period. As these songs are bound to the political culture of Weimar Germany, I have included an analysis of the ways Marxist dialectical

materialism shaped Eisler's compositional aesthetic. Eisler's fighting songs were also bound to agitpropaganda theater

groups that developed in Berlin's working class neighborhoods; this treatise offers a glimpse into the social context that

produced those groups and Eisler's position within them as a musical

revolutionary.

In 1947, while living in the United States, Hanns Eisler was investigated by the FBI and interrogated

by the House Un-American Activities Committee, making him one of the first artists to be publicly attacked

as "Communist" and blacklisted for his political affiliations. I have argued that his pre-War fighting songs bore directly

on his American fate, and that the lingering effects of McCarthyism have led to his neglect in American music

scholarship.

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